PEYTON HIGGINS
photographerPeyton Higgins is a photographer working with alternative processes, collage, and material-based image making. Their practice centers on cyanotype on fabric, using textile surfaces to expand photography beyond the traditional print and into physical and spatial forms. By printing images directly onto fabric, Higgins treats the photographic surface as a material that carries texture, memory, and presence.
Much of Peyton’s work engages with domestic materials and objects, particularly through an ongoing installation centered around a bed structure, quilt, and cyanotype pillows. The quilt functions as both a personal and cultural object—one closely tied to intimacy, rest, protection, and the body. By embedding photographic imagery within these domestic materials, Higgins introduces a subtle tension between comfort and observation, presence and absence.
Collage plays an important role in their practice as well. Through cutting, layering, and reassembling photographic fragments, Higgins disrupts the stability of the image and constructs new visual relationships. The collage works often act as studies for larger installations, allowing images to be reconfigured and recontextualized while emphasizing fragmentation, repetition, and physical intervention.
Across these processes, Peyton treats photography as something that can be touched, altered, and physically constructed. Cyanotype on fabric, collage, and installation allow the photograph to move between image and object, surface and structure. Through this expanded approach, their work explores how photographic images embedded within domestic materials can hold traces of the body, memory, and the quiet psychological tension of lived spaces.
Interested in their work?Send them an email!
Check out their Instagram!